Articles
OLIVER HARRIS
These articles reflect my ongoing interest in Beat literature, alongside occasional forays into other areas of 20th-century writing and culture

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| Year | Article |
|---|---|
| 2022 | “Making Dead Fingers Talk,” in Burroughs Unbound: William S. Burroughs and the Performance of Writing, edited by S.E. Gontarski (New York: Bloomsbury): 121-65. |
| 2021 | “The Persian Connection,” Introduction to Naked Lunch, by William Burroughs, translated into Farsi by Farid Ghadami (Tehran: Hermand Publishing). 400 pages. Introduction 1-10. Also published online |
| 2021 | “State-of-the-Field: Survey of Current Scholars,” Journal of Beat Studies, 8: 78. |
| 2020 | “DANGER Sign: William Burroughs Against the Academy,” Soft Need 23 (Basel: Expanded Media Editions): 78-83. |
| 2020 | Beat Literature in a Divided Europe (book review feature), Recherche littéraire/Literary Research 36 (Fall 2020): 257-63. |
| 2019 | “Cutting Up the Century,” in William S. Burroughs, Cutting Up the Century. Eds. Joan Hawkins and Alex Wermer-Colan (Indiana UP): 28-49. |
| 2019 | “Burroughs and Biography: An Interview with Barry Miles,” in William S. Burroughs, Cutting Up the Century. Eds. Joan Hawkins and Alex Wermer- Colan (Indiana UP): 57-72. |
| 2019 | “Cross the Wounded Galaxies: A Conversation About The Cut-Up Trilogy,” in William S. Burroughs, Cutting Up the Century. Eds. Joan Hawkins and Alex Wermer-Colan (Indiana UP): 305-317. |
| 2018 | “William Burroughs’ Cut-Ups Lost and Found in Translation,” L’Esprit Créateur 58.4 (Winter 2018): 31-48. |
| 2017 | Editor’s Introduction to “Global Beat Studies,” Special Issue of CLCWeb: Comparative Literature and Culture 18.5 (December 2016), eds. Oliver Harris and Polina Mackay. |
| 2017 | “Ham and Eggs and Hermeneutics: Re-Reading Hemingway’s ‘The Killers,’” Journal of Modern Literature, “Special Issue: Revisiting Modernist Classics” 40.2 (Winter 2017): 41-59. |
| 2017 | Tribute to Ann Charters. Journal of Beat Studies. 5 (2017): 17. |
| 2017 | “The European Beat Studies Network Interview.” Beat Scene 86: 48-50. |
| 2016 | “Und pfft – weg ist es,” in Udo Breger, Road Stops: Stationen einer Lebensreise mit Burroughs, Gysin und vielen anderen (Basel: Imago/ Mondial, 2016): 83-88. |
| 2016 | “William Burroughs: Beating Postmodernism,” in The Cambridge Companion to the Beats ed. Steven Belleto (CUP): 123-36. |
| 2015 | “Gateway Drug,” Introduction to A Man Called Burroughs Photographic Exhibition catalogue (London: Aloes Books). |
| 2014 | Review Essay, William S. Burroughs: Scientologist! by David Wills, Journal of Beat Studies vol. 3: 123-26. |
| 2014 | “‘Problems after a certain point are insoluble’: An Interview with William Burroughs,” Beat Scene 71: 52-55. |
| 2013 | Review Essay, Scripting Hitchcock by Walter Raubicheck and Walter Srebnick, The Journal of Screenwriting 4.2 (2013): 43-46. |
| 2012 | “Minute Particulars of the Counter-Culture: Time, Life, and the Photo-poetics of Allen Ginsberg,” Comparative American Studies 10.1 (March 2012): 3-29. |
| 2010 | “William Burroughs” entry in The Encyclopedia of Twentieth-Century Fiction, ed. Patrick O’Donnell (Wiley-Blackwell): 476-78. |
| 2010 | “The Beat Hotel / Cut-Up Headquarters,” Fabrikzeitung (Zurich), 264. |
| 2010 | “Cutting Up the Corpse,” in Davis Schneiderman et al, The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game (Lincoln: U of Nebraska P): 82-103. |
| 2009 | “The Beginnings of ‘Naked Lunch, an endless novel,’” in Harris and MacFadyen (Eds.) Naked Lunch@50: Anniversary Essays (Southern Illinois UP): 14-25. |
| 2008 | “Everything Lost: The Latin American Notebook of William S. Burroughs – The Inside Story,” Beat Scene, 56: 38-45. |
| 2007 | “William Burroughs,” entry in Kurt Hemmer (Ed.) The Encyclopaedia of Beat Literature. New York: Facts on File: 31-37. With Rob Johnson, “Queer” (267-70) and ‘Yage Letters’ (355-56). |
| 2006 | “Not Burroughs’ Final Fix: Materializing The Yage Letters.” Postmodern Culture 16.3 (January 2006): 8,500 words. |
| 2005 | “‘Burroughs is a poet too, really’: The Poetics of Minutes to Go.” Edinburgh Review 114: 24-36. |
| 2005 | “William Burroughs,” entry in William Lawlor (Ed.) Beat Culture: Lifestyles, Icons, and Impact (Santa Barbara: ABC-CLIO, 2005): 29-43. |
| 2005 | “Killing the Killers: Hemingway, Hollywood, and Death,” in David Seed (Ed.) Literature and the Visual Media (Cambridge: D.S. Brewer): 74-95. |
| 2004 | “’Virus X’: Kerouac’s Visions of Burroughs,” in J. Skerl (Ed.) Reconstructing the Beats (New York: St. Martin’s Press): 203-15. |
| 2004 | “Cutting Up Politics,” in Davis Schneiderman and Philip Walsh (Eds.) Retaking the Universe: William S. Burroughs in the Age of Globalisation (London: Pluto): 175-200. |
| 2003 | “Junky at Fifty,” Beat Scene, 43: 36-37. |
| 2003 | “Film Noir Fascination: Outside History but Historically So.” Cinema Journal 41.3 (Fall): 3-24. |
| 2002 | “Film Noir et la fascination nocturne,” Les Cahiers de CIRCAV 13: 143-68. |
| 2001 | “Out of Epistolary Practice: Email from Emerson, Post-Cards to Pynchon,” American Literary History, 13, 1: 158-68. |
| 2000 | “Beating the Academy,” College Literature, 27, 1: 195-212. |
| 2000 | “Cold War Correspondents: Ginsberg, Kerouac, Cassady and The Political Economy of Beat Letters,” Twentieth Century Literature, 46, 2: 171-92. |
| 1999 | “Apocalypse-Burroughs-Cage-Dada-Encounter: A Cut-Up ABCDE,” Burroughs/Cage (Lyme Regis): 9-16. |
| 1999 | “‘Can You See A Virus?’ The Queer Cold War of William Burroughs,” Journal of American Studies (Cambridge), 33, 2: 243-66. |
| 1999 | “Queer Shoulders, Queer Wheel: Homosexuality and Beat Textual Politics,” in C. Van Minnen et al (Eds) Beat Culture: The 1950s and Beyond (Amsterdam: VU Press): 221-40. |
| 1998 | “In hope he is still alive,” in In Memoriam: William Burroughs (Exeter: Stride Publications): 112. |
| 1997 | “Naming Names: The Beat Hall of Fame,” OverHere: A European Journal of American Culture (Nottingham), 17, 1: 218-25. |
| 1996 | “The Beat Generation” and “William Burroughs,” in The Reader’s Guide to Literature in English (London: Fitzroy Dearbon): 59-60 and 111-12. |
| 1996/97 | “It’s no calligraphy for school children,” Connotations: A Journal for Critical Debate (New York/Munster) 6 3: 337-53. |
| 1991 | “Cut-Up Closure: The Return to Narrative,” in Jennie Skerl & Robin Lydenberg (eds.) William S. Burroughs At the Front: Critical Reception 1959-1989 (Carbondale: Southern Illinois UP): 251-62. |














